Yuro's work is admired in the United States as well as in Great Britain and the Netherlands.
Her last recording was the 1984 CD Timi Yuro Sings Willie Nelson, produced by her old friend Nelson. Her larynx was eventually removed and in 2004 she succumbed to cancer. When Yuro began to sing again in the 1980s, her doctors detected throat cancer. However, her career soon lost its early momentum, and she quit the music business altogether after her marriage in 1972. Yuro was also known for soulful reworkings of popular American standards, such as "Let Me Call You Sweetheart", "Smile", and "I Apologize".īy the late 1960s, Yuro had performed in venues from London to Las Vegas. The singer at her vocal peak, this recording includes a powerful title track of the same name, a beautifully understated version of Willie Nelson's "Permanently Lonely", and two different blues takes of "I'm Movin' On". In 1963, Liberty released Make the World Go Away, an album of country and blues standards. She opened for Frank Sinatra on his 1962 tour of Australia. Many listeners in the early 1960s thought Yuro was black. 12 follow-up in 1962, "What's a Matter Baby (Is It Hurting You?)", Yuro showed an emotional but elegant vocal style that owed a debt to Dinah Washington and other black jazz singers. 4 single in 1961 with "Hurt", an R&B ballad that had been an early success for Roy Hamilton. There, she sang in her parents' Italian restaurant and in local clubs before catching the eye and ear of record executives. She is considered to be one of the first blue-eyed soul stylists of the rock era.Īccording to her record label, Liberty Records, Yuro moved with her family to Los Angeles, United States.
#Timi yuro death full#
Read Full Bio Timi Yuro (born Rosemary Yuro, Augin Chicago, Illinois - Main Las Vegas, Nevada) was an American soul and R&B singer. Timi Yuro: The Complete Liberty Singles was released on June 26 through Real Gone Music and is available to order from their website.Timi Yuro (born Rosemary Yuro, Augin Chicago, Illinois - Main Las Vegas, Nevada) was an American soul and R&B singer. At any rate, The Complete Liberty Singles is a wonderful collection of the Yuro’s great vocal stylings and is essential for fans of 1960s soulful girl-pop. Morrissey feted her as his favorite singer, which I guess is a nice tribute (I have lukewarm feelings towards Morrissey). However, her artistic legacy continues (one can hear shades of Yuro in Winehouse’s Back to Black album). In the 1980s, Yuro was diagnosed with throat cancer in 2004, she was silenced forever by the illness. Other standouts include the more uptempo “It Will Never Be Over For Me,” “What’s A Matter Baby,” “The Love Of A Boy,” and the creepily-titled WTF anthem “Satan Never Sleeps.” The whole collection of singles is a revelation to those accustomed to other 1960s girl singers, such as Ronnie Spector and Dusty Springfield. Elvis’ rendition of it is heartbreaking and really foreshadows his death, but that’s a whole other story. “Hurt” remains one of the iconic vocal performances of Yuro’s you can legitimately feel the heartbreak denoted in the song’s lyrics in her deep, husky voice. The Complete Liberty Singles starts with “Hurt,” which was later released as a single covered by Elvis just prior to his death. Her career ended in the late 1960s with her marriage, but she had some impressive celebrity fans.
Her voice was also heard all over Northern Soul dance floors during the 1970s. However, Yuro’s influence spread like tree roots on both sides of the ocean artists as disparate as Elvis and Morrissey considered themselves Timi Yuro fans. Music Review: Timi Yuro, The Complete Liberty Singles Published on September 25th, 2012 in: Feminism, Music, Music Reviews, New Music Tuesday, Retrovirus, Reviews |Īmerican singer Timi Yuro was described as “the little girl with the big voice,” lending her legacy nicely to future blue-eyed soul singers such as the late Amy Winehouse, Duffy, and Adele.
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